local knowledge in painting kamasan in Bale kertha gosa semarapura, klungkung kertagosa is building complex ancient established during the reign of King klungkung first, the deity Supreme jambe, at the 17th century. gods Supreme jambe is the son of to-2 of dalem dimade, last King in the Kingdom of gelgel which is also called suweca Temple. after God of the great King klungkung, then he made the Palace (Castle) klungkung named semara pretend that memunyai meaning "place of love and beauty". in Castle this is there a complex kertagosa which consists of two buildings principal, that is building Park Gili and building kertagosa. building kertagosa anciently have some functions, of which are: (1) as a place trial led by King as judge the highest; (2) as a meeting place for the Kings of existing in Bali; and (3) as a place carry out the ceremony manusa yadnya or cut teeth (mepandes) for the son of-the daughter of the King. during the reign of King gods Supreme son djambe Netherlands do assault massive (for three days). attack that result in Castle semara Temple destroyed. there is only some of the building is left among other buildings kertagosa Park Gili and pemedal Supreme (gate Castle). in the assault then known as "persitiwa Bellows klungkung" it's (April 28, 1908) the God of the Supreme son djambe and his followers fall. initially kerta gosa is building used as a place held a meeting of the Kingdom to discuss about prosperity and welfare klungkung. in accordance with the meaning of the name "kerta gosa", kerta means welfare or prosperity and gosa means discussion / spot the discussion. However, after the Netherlands managed to conquer kingdoms klungkung war Bellows (war to the point of blood efflux) happened on 28 April 1908 kerta gosa then switch functions into place Justice. all forms of case both cases the Kingdom or case customary trial and decided here. during the bureaucracy Dutch Colonial in klungkung (1908-1942) and since the appointment of officials native to the head of the Kingdom in klungkung (Ida I God of the great state klungkung) in 1929. in fact, the former equipment court of the form of seats and wooden table using carvings and paint prade still there. objects that is evidence relics of institutions court customary traditional ever applicable in klungkung in the Colonial period (1908-1942) and the period of Japanese occupation (1043-1945). in 1930, ever done restoration of the painting puppet contained in kerta gosa and Bale kambang by the artist painting of kamasan. restoration painting last done on the 1960. in the Hall there are a table carved Golden and 6 (6.0) fruit chair. on the seats arm marked Lion is his seat ReGen (King) acting as the chief judge. seats sleeved ox is his seat pastor as legal experts and advisory King in decision. and seats berlambangkan Dragon is his seat the kanca as the registrar. while the people who want to stand trial well as the defendant and the plaintiff's sitting floor cross-legged in behavior and attitude polite. these objects to date still preserved. while the Park Gili also known as Hall kambang surrounded pool flowering Lotus, describes an Island beauty dikitari Ocean, serves as a place entertain guests important that comes overlooking the King of the structure of the building building kertagosa and garden Gili consists of two floors .. the roof of the building is made of fibers and comes with undak (stairs up). the roof of the given additional in the form of decoration statue and relief (around the building). in addition to the ceiling (ceiling) given additional decoration the form of traditional paintings patterned puppet painted style kamasan. painting that is in the ceiling building Park Gili contains the story sutasoma, pan brayut and palalintangan. while, on the ceiling building kertagosa paintings take story this dyah voila, Bima swarga, Adi parwa and pelelindon. the theme of the principal of stories is parwa, that is swaragaronkanaparwa gives the instructions legal Karma reward (a result of the pro and Con deeds made of human during his life) as well as the incarnation back to the world because deeds and his sins. storyline on painting in Bale kertha gosa, semarapura, klungkung, Bali Bale kertha gosa it has a unique contained in the ceiling building decorated by painting traditional kamasan, painting in the building Bale kertha gosa illustrates the Hindu philosophy full of moral teaching. painting ceiling Bale kertha gosa formerly used by Kings at the time to hear someone Bale kertha gosa those. any person or defendant who tried Bale kertha gosa will be given a decision and ceritra-ceritra moral education Associated with what in describe in painting ceiling Bale kertha gosa. painting in the Sky-lanigt Bale kertha gosa is divided into nine (9) plot and in any petaknya have a storyline different. storyline contained on painting ceiling Bale kertha gosa the plot of the first to tell about a daughter of intelligent named this diah tantri. on an even when this diah tantri want dikawini by a King who wants to marry daughter every night, already 1000 women have been in kawini by King and the came King in daughter to 1001 and daughter is named this diah tantri. However, this diah tantri this highly intelligent, at the time of the King want to marry her, this diah tantri give stories overnight whole sampai- to the King forget to marry daughter it. in Bali this story is known by the name of tantri kandaka. plot II and III there is the story of all patients of spirit dineraka were discovered by the way at the time to release the spirit of the father and his mother of torment crater tambra gomuka. all evil is done someone during his life would be in the law in hell as found by the way, but the arrival of the way in hell are not accepted by the officers hell and soul Knight the way keep break in and had to fight the officers hell to be able to save the spirit father and his mother. natural nerakapun in create a chaotic by the way. all crater tambra gomuka contained in hell has been in turn by the way to save the spirit inside the crater, and finally the crater last the way managed to find the spirit of the father and his mother. but the spirit of the father and mother has been found required to get tirta amerta that spirit father and his mother can be purify that spirit father and his mother could talk and get a place in heaven. plot of the fourth the story of the Garuda looking for amerta, this story to tell devotion bakti a child to his mother. the Garuda know his mother was in tawan by the Dragon, then the Garuda rushed to be able to saved. but to be able to free up his mother of the Dragon the Garuda have to make it up with tirta amerta preformance kamandalu (jug). then the Garuda rushed to find tirta that, when looking for water amerta that the Garuda have to fight the gods that do not want tirta are owned by the other creatures. with kesaktian the Garuda there is no God that can fight and ended up when the Garuda want to take tirta the Lord Vishnu rebuked and inhibit the will of Garuda. but Garuda said that he could not dead. Garuda also said that the Lord Vishnu should ask something to him and Garuda will grant. and Lord Vishnu ask that Garuda be wahananya. then God of Vishnu give tactic to the Garuda order tirta amerta was not until submitted to the Dragon. finally over finesse granted by Lord Vishnu, mother of the Garuda can save and the Dragon can not drink tirta amerta in kamandalu (jug) those. plot V story pelelindong or earthquake. in painting ceiling Bale kertha gosa tell earlier times in case earthquake is a sign of whether it was good or bad depending on the moon what the earthquake occurred. for example, if the earthquake occurred in gauze (1), looks betara Sri was shaking, this is a sign of the people and the state will be safe and Sentosa. as did the earthquake in the months other. because case earthquake in the month will have a forecast or sign of different. plot vi and VII tell the way that point to go looking for tirta amerta. at the time of the way for tirta amerta the way have to fight with the gods, but because kesaktian the way all weapons directed to the way broken before until the body of the way. Bima also required to fight with his father, namely the hyang Bayu but the hyang Bayu can't kill the way. came the way that accompanied by God Bayu as well as the second punakawan, tualen and merdah to face to the hyang single. the way finally give a gift form tirta amerta by the hyang single. with tirta amerta this end of the waveguide and goddess madri can standing and spoke back after getting tirta amerta, finally the waveguide and goddess madri get the heaven and stay in Meru. plot VIII in the storyline there are four Meru by the name of different. division Meru based on class-class. for example, the spirit factions sudra Occupy heaven in the South and setananya form Meru, the spirit of the King's got the heaven in the West setananya form Meru, the spirit of the class of wesia Occupy heaven in the North setananya form Meru, and spirit pastors Brahmins Occupy heaven in the East of the form Padma nglayang. plot XI load on the story of gods serves as a guard the balance of the four corners of the wind in the world. Heritage is an asset relics of the nation. we as young as well generation heir to the history must be keeping peninggalan- Heritage that in inherit to US. as well as Heritage in the form of painting ceiling Bale kertha gosa we have to keep the sustainability. as a slogan that says "great nation is the nation that reflect on the history" therefore let preserve Heritage like painting contained in the ceiling Bale kertha gosa. from various uniqueness owned painting ceiling Bale kertha gosa can be used as a source of teaching history for painting ceiling Bale kertha gosa actually a track record of the history of which has values can be passed on to the younger generation to adopt the values can be formed the nature of positive mental.