BLORES, WOODENLEGWALK, TOBACCO-STOPPERROW, WAPPING.And I couldn’t rub it out.
I recollect resting in a little churchyard after this persecution, disposed to think upon the whole, that if I and the object of my affections could be buried there together, at once, it would be comfortable. But, another nap, and a pump, and a bun, and above all a picture that I saw, brought me round again.
I must have strayed by that time, as I recall my course, into Goodman’s fields, or somewhere thereabouts. The picture represented a scene in a play then performing at a theatre in that neighbourhood which is no longer in existence. It stimulated me to go to that theatre and see that play. I resolved, as there seemed to be nothing doing in the Whittington way, that on the conclusion of the entertainments I would ask my way to the barracks, knock at the gate, and tell them that I understood they were in want of drummers, and there I was. I think I must have been told, but I know I believed, that a soldier was always on duty, day and night, behind every barrack-gate, with a shilling; and that a boy who could by any means be prevailed on to accept it, instantly became a drummer, unless his father paid four hundred pounds.
I found out the theatre – of its external appearance I only remember the loyal initials G. R. untidily painted in yellow ochre on the front – and waited, with a pretty large crowd, for the opening of the gallery doors. The greater part of the sailors and others composing the crowd, were of the lowest description, and their conversation was not improving; but I understood little or nothing of what was bad in it then, and it had no depraving influence on me. I have wondered since, how long it would take, by means of such association, to corrupt a child nurtured as I had been, and innocent as I was.
Whenever I saw that my appearance attracted attention, either outside the doors or afterwards within the theatre, I pretended to look out for somebody who was taking care of me, and from whom I was separated, and to exchange nods and smiles with that creature of my imagination. This answered very well. I had my sixpence clutched in my hand ready to pay; and when the doors opened, with a clattering of bolts, and some screaming from women in the crowd, I went on with the current like a straw. My sixpence was rapidly swallowed up in the money-taker’s pigeon-hole, which looked to me like a sort of mouth, and I got into the freer staircase above and ran on (as everybody else did) to get a good place. When I came to the back of the gallery, there were very few people in it, and the seats looked so horribly steep, and so like a diving arrangement to send me, headforemost, into the pit, that I held by one of them in a terrible fright. However, there was a good-natured baker with a young woman, who gave me his hand, and we all three scrambled over the seats together down into the corner of the first row. The baker was very fond of the young woman, and kissed her a good deal in the course of the evening.
I was no sooner comfortably settled, than a weight fell upon my mind, which tormented it most dreadfully, and which I must explain. It was a benefit night – the benefit of the comic actor – a little fat man with a very large face and, as I thought then, the smallest and most diverting hat that ever was seen. This comedian, for the gratification of his friends and patrons, had undertaken to sing a comic song on a donkey’s back, and afterwards to give away the donkey so distinguished, by lottery. In this lottery, every person admitted to the pit and gallery had a chance. On paying my sixpence, I had received the number, forty-seven; and I now thought, in a perspiration of terror, what should I ever do if that number was to come up the prize, and I was to win the donkey!
It made me tremble all over to think of the possibility of my good fortune. I knew I never could conceal the fact of my holding forty-seven, in case that number came up, because, not to speak of my confusion, which would immediately condemn me, I had shewn my number to the baker.