I came upon a certain Walt Disney Film released sometime during his lifetime, where he shared an odd assortment of clips from animated features and unreleased segments. It is puzzling, who his audience really is--fans, aspiring animators, maybe the odd assortment of goblins, witches and true-to-fame Luciferians?
NOTE: I won't cover the scenes in exact order, but as I come to understand the scenes better. These are the few that stood out to me instantly.
Notably, he concluded the film with The Bald Mountain rendition (Fantasia) - which basically has no hero and no real plot except ghoulish devils, goblins, witches dancing for the devil and then souls returning to their graves.
-- It is ominous, terrifying for children, and has absolutely nothing to do with anything that makes sense for a kid-friendly ol' Walt Disney film -- or for aspiring animators and artists. Really leaves a sour taste: the kind you would expect if you tasted a dark, polluted swamp where something had died and had lain rotting for a few years.
SCENE 1 - PLAUSIBLE IMPOSSIBLE
The concreteness depicted as a giant heavy block falling on Donald is the impressive force of the inner world, wherein the darkness operates upon the material. The "middle" place where we live out our lives is what we frequent with our minds, but the hidden in a single blast - being unexamined- is left to the relentless, ruthless forces of the dark.
They travel by sound, by waves, and by the vision, that is, the impressions upon the internal locus of the mind. But being invisible, they distort our view of ourselves, the world and our inner understanding of where to go, what to become.
- He states sound, visual motion and other elements and appearance of power are enough to terrorize into submission
- When compressed into an accordian on 3rd and 2nd and 1st dimensional planes , the being is operating at an instinctive level and cannot cope with satanic devices
- A simple threat then will make him, the goyim, comply
Lucifer, Walt Disney here, says "we will compress him into a result of his lifetime - events we have tied together like an instrument, and by playing him (tricking him), he will be easily frightened, running and fleeing, operating on the lowest spheres of the frequencies, or kingdoms."
How? By pressuring, using their might over Fates and Time. The compression of sequences results in a fearful, lost individual who must run from each day, dazed, compressed by worry and never realizing the attack occurred because he is not much more than instincts of an animal!
Compression of fated events in life!
SCENE 2 - DONALD AND GUS
Gus is introduced by Walt in his final stage of torturing the naive Donald, who seems to think Walt is his friend here. Gus devours everything in his house, and while Donald believes the material world is full of fruit ripe to be enjoyed - his appetite being very much enlarged by temptation - attempts to have a simple dinner.
Gus has a watch that basically lists his activities: it includes every harvest time. This means, in a Biblical sense, that no matter what thing the goyim may attempt to do in the material, he will be smacked into submission and the Luciferian power will at intervals exact, devour ALL HIS WORKS on earth.
This will leave Donald Duck, the goyim, fruitless, harvest to harvest and for all his labors in the earth, he will be empty, seeing the voracious Gus always eating his works up and their fruits. This can be money, invested time in raising kids, ambitious projects, charities etc. Anything can represent the feast that Donald was teased with by Walt Disney: it doesn't matter.
The effect upon a person is to dishearten them entirely with regard to all his works, and make him unable to retain any comfort at any time.
Plausible impossible -- using offenses and frameworks that will make the victim unable to fend or explain his innocence. From family situations to work situations, the diabolic schemes unravel to make the True One seem at fault, although they are completely the victim of a huge fraud.
So, the outline of these weapons are:
- Hallucination and mental paralysis by compressing the goyim to the lower realms of fear, confusion, dismay, depression
- Using the mind as a torture device to fuel figments and hidden operations of huge force used against the internal locus of a man
- Threats and terrors of death and fear of loss - even slight - are highly effective then, when a man is operating at his lowest frequencies or by natural base instinct
This scene was cut but introduced by Wald here. It refers to how these wicked spirits would make a fool out of Christ by ensuring he does not realize his true rule: the spoon remember, is the symbol for understanding one self used in the Matrix film.
The spoon here again represents the same concept: the understanding that the world belongs to the One True God. However, instead of helping him they throw him up and down on a chair making him unsure, unsteady and afraid. For while he was being edified (the concept of lapping up soup hungrily to become grown up in knowledge), he was also never taught certain things and retained wrong teachings (such as the loud slurping indicates here).
So, the spoon is ejected by their constant vacillations of Christ(depicted here as Dopey, to insult his intelligence and naivety), ensuring that he spits out the spoon and it plunges into a wall in a bar of soap - meaning, he has cast aside the faith that he is the One True Savior sent by God. This scene plays out with the Oracle on her introduction in the Matrix as well when Neo doubts himself. You can see in Truman show, the director hides himself within the Sun and the Moon itself - that is, within light itself, appearing as God. But all the time, he keeps Truman in the dark about why his troubles are the way they are, and that everyone in the world is plotting against him.
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Why are the cut scenes shown?
Acts 25:16 - Accusation is laid against him, but the accuser remains hidden - this is the "plausible" and the "impossible" - for it is impossible to see God at any time, and yet he that poses as God in this world is clearly acting upon and conspiring against Jesus Christ throughout all things given to his nature, and to his power. The main point, there can be no defense for the innocent Jesus, only blame and accusations from an unseen power, and its respective elements that operate impossibly outside. This is also seen depicted in the film The Truman show, in a tangible and grounded way, he cannot escape the prism.
CHAPTER 3 - THE BALD MOUNTAIN
The bald mountain of evil. Here we see the three wretch voices of the abomination - probably, Taylor Swift, Lady Gaga and Madonna, or too many counterparts that switch places with these. They sing the songs that go out into the world filling souls with longings, perverse ideas of "right". For example, Taylor Swift operates on a platform of "Justified Revenge" in aspect to sexual relationships and family life. She, indeed, was seen dressed as a lightbulb in her recent music video Karma
Conclusion of Part 1
This only covers a few segments in this bizzare film by Satan. It is not only irrelevant for artists, it covers extremely dark content using images and sound to an audience largely caught between the headlights. Walt Disney, as a baron or king of a great castle of iniquity, lays out a MANIFESTO of evil and iniquity against the Son of Man.
I am certain closer observation of many of the other smaller segments - like the one with a cow, the T Rex and more will elucidate the horrors of Disney and the fantasy world in which they hope to imprison the spiritual upright man.