gni
Steve Chilton Concept's architects and designers have created a spherical puzzle in order to create a connection between the boundless world of art and the traditions of the country. The Guangzhou 2,000-person spherical amphitheater was designed with the influence of a Chinese ancient element called spherical puzzle, and uses a statue of decorations, each of which moves freely and is made from one piece of material.
The Chilton Theater Hall design has been inspired by Korean puzzle creator properties called Yu, and has sought to recall the finest qualities of ancient art in an artistic spherical volume. A mass that includes inconsistent patterns and complex geometry, and is the best subject or portrayal to represent the character of Chinese art. The main structure of the theater is a dome-shaped dome-shaped material of GRC (Fiber glass reinforced concrete), coated with steel-shaped steel tubes to provide high resistance and durability during the period.
Visitors are guided through the main entrance to the theater. The main input design is a combination of spheroidal offset surfaces that overlap an asymmetric floppy pattern that is similar to a spheroidal puzzle. The geometry on the shell layout is made with the influence of the traditional woodcutter of the Guangzhou region. Designed wall cladding for various purposes. The size and placement of the shells are optimized to allow a certain number of effects of the shell movements to be palpable. The dimensions and dimensions of the shell make the construction cost of the building considerably smaller.
Theatrical view in the form of cladding tries to capture and display the complexity and porosity of the real puzzle. While the distribution of complex areas has led to an expansion of the external presentation space for the general public. The crust pattern is designed through a triangular grid based on geodesic multidimensional geometry to create an optimal and understandable structure. The shape of the poster format is such that the shape of the rhomboid and trapezoidal shapes, as they were moved from the ground to the inside or the roof, have diminished their dimensions.