Definitely was on a mission. So I highly recommend taking a peek at these photographs if you can get hold of it. And you can probably just pull them up online without the magazine.
I just happened to have it. I'd look up the photographer and check that out. Archer, please go for it.
I was just going to take it back a notch to the shamanic idea slightly for a second, which is if you look at that old cave art like Lascaux and when these people would, they would climb up these sheer faces with all lit by tallow candles to put this art in specific places. And when they made art, they've looked at a lot of this art. Let's say it was an old bison, right, an eight-legged bison, which when lit by a tallow candle looked animated.
But they've seen, because it flickered and gave an animation effect, but they've seen it was hit by axes. So when these people made this art, what they're actually doing is sympathetic magic. So they are creating an idea through their collegiancy and then trying to manifest it into reality.
And I think this is what we'll be talking about, artists reflecting on contemporary topics and things that might bother you and the way you see the bigger picture of the world. I think a lot of the time, well, I personally feel quite impotent to actually have an effect on it, which is a horrible feeling. I think a lot of us do.
But I think through utilising our creative agency and utilising symbols well, then we at least have a cathartic release and we can feel like we're affecting something or putting a message out there to either draw attention to things or to try and work something, some sort of change. Yeah. You know, I know exactly what you're talking about, and it's something that I know Blue to Black and I have talked about a lot.
When we do our work, whether it's the poetry or the painting or whatever, the photography, because I do all three, I don't know that anybody will ever remember one woman or Victoria Cooper. They may never. They may not.
