Another series of stills from an experimental short film, “Fishbowl” by Sabina Jiang. This was also shot on 2-perf 35mm(Kodak 5219) with an Arricam LT and Cooke 20-100mm T/3.1, one of my favorite lens

“Leave me where I was young” - directed by Hal Tuttle, was a short film that I shot a couple of years ago in Prague. We shot on an Arricam LT with Arri Ultraprimes, on Kodak 5219 500T. A humble two day

Shot on Kentmere 400 on a Nikkormat FT3 and a Nikon 85mm AI-S. Kentmere being a little grainy, I love how the snow renders in addition to the grain. It adds three-dimensionality to the photo, and I almost

Ratha enjoying some fried chicken. Another portrait shot on the Nikon 28mm AI-S and on Tri-X 400. If I recall properly, this was shot at a F/2.8. I find the focus fall off quite pleasing with this lens,

Portrait of my friends Taekeun. Shot with a Nikon 28mm AI-S on Tri-X 400, a couple of winters ago in New York. I love this lens for portrait. Although it is on the wider side, there’s very minimal barrel

Walking around the suburbs of Berlin with my camera, I stumbled upon this quiet river. Shot on Ektar 100 with a Nikkormat FT3 and Nikon 28mm AI-S.

While visiting Berlin for the first time, I kept coming back to this place with a bottle of water, my camera and a book, needing nothing else.

Long exposure, shot in a cabaret in Berlin a couple of summers ago. Shot on Ektar 100, with a Nikkormat FT3 and 28mm Nikon AI-S lens.

Photo of my best friend Wilhelm and his boss when he was interning in a masonry company in Berlin. These guys built fantastic costumes and decorate a huge truck for the carnival. It was great to witness!

Photo of my best friend Wilhelm and his boss when he was interning in a masonry company in Berlin. These guys built fantastic costumes and decorate a huge truck for the carnival. It was great to witness!

Photo of my best friend Wilhelm and his boss when he was interning in a masonry company in Berlin. These guys built fantastic costumes and decorate a huge truck for the carnival. It was great to witness!

I took this photo on an early winter morning in Manhattan, thus the long shadows. Shot on Fuji Acros 100 with a Nikon FT3 and Nikon 85mm AI-S. You can find more of my work on my website: as well on my

I took this photo on an early winter morning in Manhattan, thus the long shadows. Shot on Fuji Acros 100 with a Nikon FT3 and Nikon 85mm AI-S. You can find more of my work on my website: as well on my

I took this photo on an early winter morning in Manhattan, thus the long shadows. Shot on Fuji Acros 100 with a Nikon FT3 and Nikon 85mm AI-S. You can find more of my work on my website: as well on my

I miss being able to just hop on the car and go anywhere. This photo was taken back when we still could do that! Purposely overexposed it three stops to give an abstract texture and the feeling that one’s

I miss being able to just hop on the car and go anywhere. This photo was taken back when we still could do that! Purposely overexposed it three stops to give an abstract texture and the feeling that one’s

I miss being able to just hop on the car and go anywhere. This photo was taken back when we still could do that! Photo taken in Brooklyn, New York. Shot on Kentmere 400 with a Nikon FT3 and Nikon 85mm

Photo taken in Seoul, South Korea. Shot on Fuji Acros 100 with a Nikon FT3 and Nikon 85mm AI-S. You can find more of my work on my website: as well on my Instagram:

Photo taken in Seoul, South Korea. Shot on Fuji Acros 100 with a Nikon FT3 and Nikon 85mm AI-S. You can find more of my work on my website: as well on my Instagram:

Photo taken in Seoul, South Korea. Shot on Fuji Acros 100 with a Nikon FT3 and Nikon 85mm AI-S. You can find more of my work on my website: as well on my Instagram: