El maestro Bela Tarr dijo en una ocasión que para él "el cine no es contar historias. Es captar nuestra forma de existir." Pareciera que el maestro Húngaro al decir esto, estaba tratando de definir

Cemetery of Splendour (Rak Thi Khon Kaen) is filmmaker Apichatpong Weerasethakul’s love letter to his native province, as well as a subtly bitter political statement on Northeast-Capital relations. The

Khon Kaen City in northeastern Thailand plays a prominent role in Apichatpong Weerasethakul’s most recent feature film, Cemetery of Splendour. The filmmaker’s childhood hometown, where his parents were