Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). Post-bop is a modern jazz style that continues to have the characteristics

Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). The albums that laid the foundations of the post-bop style are: Herbie

Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). Post-bop is a kind of jazz that began to be played in the mid-1960s

Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). Joe Chambers is an American jazz drummer and composer who leads the

Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). The gaucho was a skilfull, brave and undisciplined rider, characteristic

Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). You could say that blues is to be sad or melancholic, but for African

Wayne Shorter (tenor sax), Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums). From the album Adam’s Apple (1967). This album belongs to the post-bop category. “Footprints” became a

Duke Ellington (piano), Charles Mingus (doble bass) and Max Roach (drums). From the album Money Jungle (1963). Charles Mingus’s style is characterized by excesses, exuberance and combination of opposing

Jackie McLean and John Handy (alto sax), Booker Ervin (tenor sax), Pepper Adams (baritone sax), Jimmy Knepper and Willie Dennis (trombone), Mal Waldron (piano), Charles Mingus (bass) and Dannie Richmond

Jackie McLean and John Handy (alto sax), Booker Ervin (tenor sax), Pepper Adams (baritone sax), Jimmy Knepper and Willie Dennis (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond

Jackie McLean and John Handy (alto sax), Booker Ervin (tenor sax), Pepper Adams (baritone sax), Jimmy Knepper and Willie Dennis (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond

Jackie McLean and John Handy (alto sax), Booker Ervin (tenor sax), Pepper Adams (baritone sax), Jimmy Knepper and Willie Dennis (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond

Jackie McLean and John Handy (alto sax), Booker Ervin (tenor sax), Pepper Adams (baritone sax), Jimmy Knepper and Willie Dennis (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond

Jackie McLean and John Handy (alto sax), Booker Ervin (tenor sax), Pepper Adams (baritone sax), Jimmy Knepper and Willie Dennis (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond

John Handy and Shafi Hadi (alto sax), Booker Ervin (tenor sax), Willie Dennis (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond (drums). From the album Mingus Ah Um (1959). Jimmy

John Handy (alto sax), Booker Ervin (tenor sax), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond (drums). From the album Mingus Ah Um (1959). Shafi Hadi is an American alto and tenor

John Handy (alto sax), Shafi Hadi and Booker Ervin (tenor sax), Jimmy Knepper (trombone), Horace Parlan (piano), Charles Mingus (bass and piano with Parlan) and Dannie Richmond (drums). From the album

John Handy and Shafi Hadi (alto sax), Booker Ervin (tenor sax), Jimmy Kneper (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond (drums). From the album Mingus Ah Um (1959). Jelly

Shafi Hadi and Booker Ervin (tenor sax), Jimmy Knepper (trombone), John Handy (clarinet), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond (drums). From the album Mingus Ah Um (1959). Mingus’

John Handy (alto sax), Shafi Hadi and Booker Ervin (tenor sax), Jimmy Knepper (trombone), Horace Parlan (piano), Charles Mingus (bass) and Dannie Richmond (drums). From the album Mingus Ah Um (1959). Charles