Yey! Hi, dearest Sewing Enthusiasts! I have done a lot of sewing this week!
This is the main achievement I managed: a very old skirt, bought in the late 1900s I think! From a huge beautiful secondhand warehouse - Kleidermarkt - in Hamburg. Temporarily turned into a pair of pantaloons that I never wore, because the gusset didn't work out (I was trying not to cut through any of the embroidery!) - and finally, now, succeeding as a beautiful floaty dress (to accomodate my expanding belly!)
The transformation back into dress-form, began with unstitching the pantaloons; the gusset was messy and tangled, but it was fairly easy to cut through the stitching and put it back together in the middle rather than as legs!
I actually tried first to correct the gusset, but realised that I needed a more ample-roomed skirt shape... so continued unstitching:
From there I could see how it the skirt hung, and start to plan the upper part: I'd already found a dress-that-didn't-fit, and though it wasn't PERFECTLY the same colour, I liked how it harmonised with the skirt; sometimes we have to take a leap of faith around combining colours, shapes, techniques, eh!
I had to remove the skirt waistband, which was an elasticated frumpiness of disfunction, which had been part of the pantaloons experiment: I was glad to remove it and did not reincorporate it into the new dress!
Above is the top of the dress that I cut off, to give an under-the-bust skirt-expanding effect on the new dress.
The process of attaching skirt to top was quite straightforward, which I didn't expect; it needed a few pleats, and fitted nicely into the size of the cut top piece.
So the shape of the newly-formed dress was pleasing:
...though I did remember at this point that the small summer dress that I had cut the top off of, was too tight around the bust - this is something that can be adjusted with a dart or triangle of fabric on the sideseam under the arm: I have some material left over for that.
I didn't wait around, and launched straight into how to attach a zip in the back, though the dress was pretty wide, I wanted a complete professional-style look, and began thinking into how a different-coloured zip could sit nicely, if I used pink and then white binding to edge it...
This is the cutting of the seam to add the zip: the bodice of the new dress was double-layered material. It was easy to unpick the seam, and then fiddley-but-very-satisfying to go through the complex process of getting the zip and edging neatly laid into the new dress shape.
Note: I chose the pink and white of zip and edging to enhance/ compliment the embroidery colours, as with the button on the big pocket...
Though putting in a zip is pretty intensive, it's a task that I relish because of the exciting outcome: especially in a project like this one, where the colours and precision are very satisfying.
This makes me think how, early on in my sewing development - like when I made the original skirt into pantaloons - it was very clunky and dissatisfying to attempt any difficult aspects of any project - whereas now I can really appreciate the early struggle and how it was worth the discomfort, to get to this up-levelled skill.
Even with the beautiful zip in place, at this point I decided that the basic dress was too plain, and that it wanted a big visible pocket with a big button on, to bring the bodice and skirt together more harmoniously: this is how the pocket looked at the end;
And these are the snaps of the progress:
The basic pocket, hemmed by hand around the edges and pinned in position. Then the buttonhole: I wanted it to be really right;
My mind does not function linearly, and so though these instructions from my beloved 1980 Reader's Digest Complete Guide To Sewing are fabulous for folks with linear minds, I just skim over the pictures, look at a couple of words, and then apply all that to what I can see and feel and form with my vision, in front of me...
I ended up with this - above - this is where precision and following rigidly of instructions might have had a more prefect outcome! BUT BUT BUT! The button is big, and hides the wonky!
Below is the small patch I put in behind the button, to hopefully prevent it from pulling the fabric into distortion: the skirt fabric is pretty delicate.
Lately I've felt a call to take all my most special treasured buttons out of their waiting box, and into the light:
Many old buttons are profoundly meaningful, both in their natural and aesthetically-powerful creation, and in how they came to me - and how long they've been waiting to be used.
I am very pleased with the final dress! Another garment that fits my gestation body!!
I even ironed it ;-D which is a rare activity in my house: I do enjoy the crumpled quality of natural fabrics, but this dress needed to be ironed along seams which had been unpicked, and to flatten down hems and buttonholes.
As predicted, the bust (especially with my growing breasts in gestation!) is slightly too tight, when I move in certain positions: I really prefer my clothing to move with me, and so will add something to fix that, soon. But on the whole, I was out with my dress at the market on Sunday, and really enjoyed it! It's much more feminine and flowery than I often wear, and it feels good to express that aspect of self.