
Holozing Curation Compilation #442
Welcome to this issue of Holozing Curation Compilation!
Hello everyone!
This is our curation effort that aims to curate posts that are shared in the Holozing community. These posts highlighted are the finest content that our Holozing curators submit for curation. We also encourage you to visit these blogs and show these great Holozingers your support and encouragement. Engagement is what makes the community thrive, so we hope that you are taking the time to visit each other's posts.

I started by creating a black-and-white sketch, one pixel thick. With it, I was able to define the character’s main features, such as the face, the crown of leaves, the hair, and the clothing. Next, I moved on to the coloring process. In this phase, I began by adding flat colors to create a solid foundation on which I would later work with shading and lighting to highlight the details. I started by working on the face, using a warm beige skin tone with a peach undertone...

Flat knot bracelet with the initial of the character Drazing
Started the bracelet by making flat knots in the following way: First I took the right strand, passed it over the base, made a P shape, then took the left strand, passed it over the right strand (which was on the left side), then passed it over the base and pulled it through the inside of the right strand (the P shape). Then I stretched the thread on each side evenly to make the knot. With your fingers you press it so that it is...

Holozing Fan Art | The flying dragon Drazing meets a friendly Forest Healer 🍀
The first step when starting my illustration was to create the main sketch; I always do this to get a clear idea of the characters I’m going to illustrate, their proportions, and other details. In this case, I drew the Forest Healer standing right in the middle of a tree-lined path, raising her left hand slightly as if trying to reach the little dragon flying right beside her. Once I finished the sketch, I moved on to coloring my illustration. In this case, I like to start working on the skin with a soft brush, like an airbrush, and then I add a few details with a watercolor...

I'm happy to update my new version of necklace creation inspired by forest healer. I'm looking at doing collab with the African type of necklace in my subsequent creation cause I love the African culture and accessories but while sticking to the english version I choose the healers to create these pieces with...

Not often times I do some shading on my sketch, rather, I do that later on on the coloring part, but I thought I should start practicing my muscle memory on that, haha. And then I did the line art of the creature, and then the rock in separate layers. It was hard for me to do the angle, coz I only have one reference, hehe...

Rewards update // Decorative Hanging Cross Inspired by The Forest Healer [Eng-Esp]
Today, I was once again inspired by the Beautiful Healer of the Forest, for whom I’ve created many clover designs—a symbol so representative of her. That’s why I decided to make another one for you with a different design: a decorative pendant using the quilling technique. I love this clover so much—and, of course, the character herself—that I might just create a few more pieces with different designs...

Started the bracelet by making flat knots in the following way: First I took the right strand, passed it over the base, made a P shape, then took the left strand, passed it over the right strand (which was on the left side), then passed it over the base and pulled it through the inside of the right strand (the P shape). Then I stretched the thread on each side evenly to make...

Holozing Fan Art | Wrackoo rides a fierce and grumpy Verdarox dragon 🌿
As is my usual practice with all my drawings, I like to start with a structural sketch that establishes the basic shape and pose of the characters. In this case, I sketched the grass dragon (Verdarox) in full-body form, standing on two legs, while the smaller one (Wrackoo) clung to its neck. Once I finished the sketch, I moved on to the painting process. In this case, I started by painting (Verdarox) with kiwi green and mushy green tones. At this stage, I only used rough brushes to achieve a coarse texture, like that of a real dragon; I also used...

I started by sketching the character as a thumbnail to decide on the pose and composition of the image. Finally, I cleaned up the lines, but without creating a final line art. I then created a colour palette similar to the reference image and applied a fill layer to the character, using a grey base colour to serve as a layer mask. Once I’d applied the base colours, I moved on to creating the shadows. I used a paintbrush with a blending effect and an airbrush in some areas to create colour gradients...

I was lost, yes I know. I'm sorry. But I have good news: I'M BACK...

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