Saludos amigos de #holos&Lotus.
Tantos momentos para recordar y me decidí por esta historia, no me canso de revivir esto.
De la mente al corazón o del corazón a la mente.
Momentos muy felices.
Ver a Raphael en persona, un artista excelente, en toda la extensión de la palabra., no tiene precio, desperdicio ni nada, lo único malo es cuando pasan esas dos horas y media, y se va, si se va, se empieza a despedir cerca de las dos horas, cierra el telón y se aparece, por cualquier lado, abren el telón y se pone a cantar nuevamente y así hasta que finalmente se acabó.
Cada canción, la baila, la actua, la dramatiza y hasta llora, no se cansa , disfruta tanto como su público lo que hace.
Habla con nosotros, pide que prendan las luces para vernos y la sala llena, con gente sentada hasta en las escaleras, y no es que venden mas entradas, es que se sientan allí para verlo de cerca.
Lo aplaudimos de pie, las manos no duelen, no nos cansamos jamás de aplaudirlo, también gritos de admiración.
La locura.
Cuando se terminaba me iba en carrera a verlo cuando se iba, para ponerme muy cerca de la puerta de salida, y todas las veces lo miré de cerquita, salia muy sonriente, saludandonos, pensaria él, ésta gente no se cansa, pues claro que No.
Hasta que no se iba la VAN, no nos íbamos, pensaría mi mamá que muchacha tan loca, pero no creo, a mí mamá cuando le gustaba un cantante se iba y amanecía, yo no la acompañaba, se iba con la vecina, ella todavía se acuerda de eso, caminaban lo que fuera necesario, pero allí estaban en su amanecer llanero.
El público que observé tanto en Maracay como en Caracas , cuando fui a ver a Raphael, en su mayoría era gente mayor.
Si habíamos jóvenes, por supuesto que sí, pero también muchas cabezas canosas.
No es igual verlo en persona a verlo en la TV.
En Maracay, las veces que fuí lo hice con mi mamá, era obligatorio un cantante nacional , recuerdo que una vez estuvo Reina Lucero, otra Sexagésimo, otra no recuerdo quién.
Sexagesimo tenía un vozarron, a mi mamá le encantaron estos dos cantantes , mi mamá era muy musical. Je jeje.
Gracias que cuando la lleve a ver a Raphael a ella le encantaron sus cantantes nacionales.
A mi , en esos momentos, se me hizo muy larga la presentación de esos artistas que le hicieron antesala, después con el tiempo me di cuenta que eran excelentes también. Generalmente pasa así, uno quiere ver al cantante por el que uno pagó, el impuesto NO.
Para Caracas fui en tres oportunidades, pero no fuí con mi mamá.
No recuerdo, quienes fueron los cantantes venezolanos, esas veces.
En esas oportunidades me acompañaron amigos, para andar a altas horas de la noche por la A.R.C. Hay que tomar precauciones.
En Caracas fuimos al Teatro Teresa Carreño, mientras lo veíamos en persona, estaba presentandose grabado en Sábado Sensacional.
Aun hace presentaciones, aunque este año se limitó únicamente a España.
Mis amigos fue la primera vez que vieron a Raphael y también lo disfrutaron, no sabían lo bueno que era ver a Raphael en persona. Y todavía lo recuerdan.
A excepción de un amigo que se fue , hace un año ya.
El llevo una cámara de largo alcance y tomó cualquier cantidad de fotografías.
Siempre se acordaba de eso.
La gente que me rodea no es muy asidua a asistir a presentaciones de artistas.
Yo sí, mi mamá lo fué y mi hija también lo es, la diferencia entre ellas y yo es que a mí me gustan las comodidades, mi hija con tal de ver a su artista le da igual que hayan más de tres mil personas y si está parada da igual, yo no.
Con mi hija fuimos una vez los tres, mi hijo se portó bien , los tres viendo a Servando y Florentino y me di cuenta porque gustan tanto. Parados, mi hijo aguantó el sonido, la bulla todo , ese es otro bochinchero, solo que tiene autismo.
A mi mamá la lleve de día para que conociera el Teatro Teresa Carreño, se presentaba un Ballet ruso, estuvo muy bueno, aunque yo quería era que conociera el teatro, igual le gustó el ballet.
Muchas gracias a 
English Version
So many moments to remember and I decided on this story, I can't get enough of reliving this.
From the mind to the heart or from the heart to the mind.
Very happy moments.
To see Raphael in person, an excellent artist, in all the extension of the word, is priceless, wasted or anything, the only bad thing is when those two and a half hours pass, and he leaves, if he leaves, he starts to say goodbye around two hours, he closes the curtain and appears, anywhere, they open the curtain and he starts singing again and so on until finally it's over.
Every song, he dances, acts, dramatizes and even cries, he doesn't get tired, he enjoys what he does as much as his audience.
He talks to us, asks to turn on the lights to see us and the room is full, with people sitting on the stairs, and it's not that they sell more tickets, it's that they sit there to see him up close.
We applaud him standing, hands do not hurt, we never get tired of applauding him, also shouts of admiration.
The madness.
When it was over I would run to see him when he was leaving, to get very close to the exit door, and every time I looked at him from close, he would come out smiling, waving to us, he would think, these people don't get tired, of course not.
Until the VAN left, we didn't leave, my mother would think what a crazy girl, but I don't think so, my mother when she liked a singer she would go and dawn, I didn't accompany her, she would go with the neighbor, she still remembers that, they would walk as much as necessary, but there they were in their llanero dawn.
The audience I saw both in Maracay and in Caracas, when I went to see Raphael, was mostly older people.
There were young people, of course, but also a lot of gray heads.
Seeing him in person is not the same as seeing him on TV.
In Maracay, the times I went with my mother, a national singer was mandatory, I remember that once Reina Lucero was there, another one Sexagésimo, another one I don't remember who.
Sexagesimo had a great voice, my mom loved these two singers, my mom was very musical. Hehehe.
Thank you that when I took her to see Raphael she loved her national singers.
To me, at that time, the presentation of those artists who performed before him was very long, but later I realized that they were also excellent. Generally it happens like this, you want to see the singer you paid for, the tax is NOT.
I went to Caracas three times, but I didn't go with my mother.
I don't remember who the Venezuelan singers were on those occasions.
On those occasions I was accompanied by friends, to walk late at night in the A.R.C. You have to take precautions.
In Caracas we went to the Teresa Carreño Theater, while we saw him in person, he was performing on Sábado Sensacional.
He still makes presentations, although this year it was limited to Spain only.
My friends were the first time they saw Raphael and they enjoyed it too, they didn't know how good it was to see Raphael in person. And they still remember it.
Except for one friend who left, a year ago now.
He carried a long range camera and took any number of pictures.
He always remembered that.
The people around me are not very assiduous to attend artist presentations.
I am, my mother was and my daughter is too, the difference between them and me is that I like comfort, my daughter doesn't care if there are more than three thousand people and if she is standing, it doesn't matter, not me.
Once the three of us went with my daughter, my son behaved well, the three of us watching Servando and Florentino and I realized why they like them so much. Standing up, my son put up with the sound, the noise, everything, he is another bochinchero, only he has autism.
I took my mom to the Teresa Carreño Theater, a Russian Ballet was performing, it was very good, although I wanted her to know the theater, she still liked the ballet.
Many thanks to