Hope you saw some of my impressions from my recent Japan trip in August. Here I want to share the last Light Painting I created during the visit to Kyoto's 1000 Shrines. Climbing Mt. Inari with Ernst and my Camera gear had to be caught in a shot. Just about to be back in the suburban area I saw one last shrine to be fotographed.
But see for yourself.
Ihr habt ja bestimmt schon einige meiner Eindrücke meiner letzten Japanreise im August gesehen. Hier gibt's jetzt das letzte Light Painting, dass ich während des Besuchs der 1000 Schreinen in Kyoto erstellt habe. Rauf auf den Berg Inari mit Ernst und natürlich mit meiner Kameraausrüstung musste ich noch ein Foto machen. Wir waren schon fast wieder in der Stadt und dann fanden wir den letzten Schrein, der musste es sein.
What happened here?
What you see here is a 27 -Second long Single Exposure, shot at ISO 100 with the lens set to F9. The process was super simple. First; Trigger and then run around the shrine and place the light. Slightly from the side so the texture of the carving of the writing comes out nicely.
Was Ihr hier sieht, ist eine 27-Sekunden lange Einzelaufnahme, aufgenommen mit ISO 100 und einer Blende von F9. Der Prozess war super einfach. Zuerst auslösen und dann um den Schrein herumlaufen und das Licht platzieren. Etwas seitlich, damit die Textur der Schnitzerei der Schrift gut zur Geltung kommt.
Simplicity rocks!
It's tricky to work with extra light effects in historic places. So here LESS is actually More!
Kitsch ist ein Problem, bunte Lichteffekte an historischen Orten sind mal nicht so cool.
Also gilt hier: WENIGER ist tatsächlich MEHR!
Setup
What's interesting in the composition is the tiny little orange gate. To highlight it, it was a bit difficult to reach it nicely. So I am not exactly super happy about the outcome but I see it as a learning process and great practice.
Was in dieser Komposition interessant ist, ist das winzige orangen Tore. Es war etwas schwierig die Tore auszuleuchten, lange Arme würden helfen. Also bin ich nicht super glücklich mit dem Ergebnis, aber ich betrachte es als einen Lernprozess und eine großartige Übung.
I hope you found these images inspirational. If you have more questions please do not hesitate. I am happy to share my knowledge.
If you think this is Spam, why did you read this far, and why the fuck bother you? Move on from your self-righteous mind state and bury yourself. Don't bother about what others may find interesting. Just stay in your bubble and ...
Cheer Up, Guys!
Gunnar Heilmann Photography
If you are interested in more of my art please also see:
My NFT'S on Rarible
Website YouTube Facebook Page Instagram Feed
Since I am one of the co-founders of the LightPainters project, I also help and support the Light Painting community as a curator - not only on the Hive.
We are Light Painters
To help and support the LightPainters community here on Hive I would appreciate your delegation of HivePower. Any amount is appreciated. It does not require much to get started, we are happy for any gesture.
How to delegate?
Delegate 50HivePower, [50HP]
Delegate 250HivePower, [250HP]
Delegate 500HivePower, [500HP]
Delegate 1000HivePower, [1000HP]
All the Hive Power will help to upvote the artist's contribution as part of the LightPainters community.
If you feel like light painting could be interesting for you, feel free to check out this crazy bunch at LightPainters on Hive: 
I am super happy that more and more find their way here into the hive.
Thank you so much!