I’m No Angel is a 1933 American pre-Code black comedy film directed by Wesley Ruggles and starring Mae West and Cary Grant. West received sole story and screenplay credit for the film. The plot revolves around Tira, a free-spirited woman working in a carnival sideshow, who becomes involved in a romantic entanglement with wealthy men. The film features Mae West's iconic one-liners and suggestive scenes that were typical of her style. Despite being one of Mae West's early films, I’m No Angel was a commercial success and is considered one of her best movies. Cary Grant plays a significant role in the film, appearing later in the story. The movie was produced before the enforcement of the Production Code, making it a "pre-code" comedy that has endured over time. It was well-received by audiences and remains a classic example of Mae West's unique comedic talent.
Plot
The plot of the 1933 film I’m No Angel revolves around Tira, a free-spirited woman working in a carnival sideshow. Tira seeks a better life by pursuing relationships with wealthy New York men, leading to comic complications along the way. The story includes memorable scenes like Tira acting as her own attorney in a Breach of promise suit, questioning men from her past and present. The film is filled with Mae West's iconic one-liners and suggestive scenes that engage viewers' imaginations. Despite Cary Grant's character appearing late in the story, his role is significant. I’m No Angel is a pre-Code comedy that showcases Mae West's comedic talent and personal traits, such as her astrological beliefs. The movie remains a classic example of Mae West's unique style and humor, making it a timeless piece of cinematic history.
Trailer
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Cast
- Mae West as Tira
- Cary Grant as Jack Clayton
- Gregory Ratoff as Slick Wiley
- Edward Arnold as Big Bill Barton
- Ralf Harolde as Kirk Lawrence
- Gertrude Michael as Alicia Hatton
- Kent Taylor as Benny Pinkowitz
- Russell Hopton as 'Flea' Madigan
- Dorothy Peterson as Mrs. Clayton
- William B. Davidson as Alfred St. Regis
Director: Wesley Ruggles
Writer: Mae West
Distributor: Image Entertainment Inc.
Box Office Gross: $519
Genre: Comedy
Release Date (Theaters): Oct 6, 1933
Release Date (DVD): Aug 3, 2010
Theme
The theme of the 1933 film I’m No Angel revolves around self-empowerment, independence, and the complexities of relationships. The protagonist, Tira, portrayed by Mae West, embodies a strong and confident woman who navigates her way through life with wit and charm. The film explores themes of female agency and challenges traditional gender roles, especially for that era. Tira's character defies societal norms by pursuing her desires and making her own choices, showcasing a sense of empowerment that was unconventional at the time. Additionally, the movie delves into the intricacies of romantic relationships, highlighting themes of love, loyalty, and personal growth as Tira finds herself entangled in a love triangle with wealthy men. Overall, I’m No Angel encapsulates themes of individuality, resilience, and the pursuit of happiness amidst societal expectations.
Reception
I’m No Angel received positive reception upon its release in 1933. Mae West's performance as Tira was praised for her wit, charm, and boldness, which became iconic elements of the film. Audiences appreciated the comedic and suggestive nature of the movie, along with its exploration of unconventional themes for the time. The film's success contributed to Mae West's rising stardom and solidified her status as a prominent figure in Hollywood. Despite some controversies due to its pre-Code content, I’m No Angel was well-received by viewers and critics alike, establishing itself as one of Mae West's most memorable works. The film's blend of humor, romance, and social commentary resonated with audiences, making it a classic example of early 20th-century cinema.
Production Challenge
The production of the film I’m No Angel faced challenges typical of the era, including adherence to the Production Code that regulated the content of Hollywood films. The movie was made during the pre-Code era, allowing for more freedom in depicting certain themes and content. However, the enforcement of the Production Code posed challenges in terms of censorship and limitations on what could be shown on screen. Despite these challenges, the film managed to navigate the restrictions of the time and deliver a story that resonated with audiences, showcasing Mae West's unique comedic talent and bold character. The success of I’m No Angel in overcoming these production challenges highlights the creativity and resilience of the filmmakers and actors involved in bringing the story to life on the silver screen.
Settings
I’m No Angel is set in various locations that contribute to the film's narrative and atmosphere. The story begins in a carnival sideshow where the protagonist, Tira, works as a performer, showcasing her bold and charismatic personality. As the plot unfolds, the setting shifts to New York City, particularly focusing on the wealthy social circles that Tira navigates in her pursuit of a better life. The contrast between the vibrant, colorful world of the carnival and the sophisticated, glamorous backdrop of high society adds depth to the storytelling and reflects the character's journey from humble beginnings to a more refined environment. These settings play a crucial role in shaping the characters' interactions, highlighting the differences in social status and aspirations depicted in the film.
Trivia & Fun Fact
- Mae West's famous line in the film, "Beulah, peel me a grape," was inspired by her pet monkey, Boogie, who had a peculiar habit of peeling grapes before eating them.
- The film faced challenges with the censors due to suggestive lines in some of the songs, leading to modifications to meet censorship standards.
- When Rajah the Fortune Teller gives Tira her horoscope in the film, he uses Mae West's actual birthday, August 17, as Tira's birthday.
- Inside a chest shown in the film, there are photos of several men attached to the lid, including actors Barton MacLane, Nat Pendleton, Edmund Cobb, and Randolph Scott.
- The original song "Nobody Does It Like a Dallas Man" had to be changed to "Nobody Loves Me Like a Dallas Man" after censorship concerns were raised.
- The film was not approved for re-release in 1935 and 1949 due to stricter enforcement of the production code during those years.
