Yes, working on jewelry again. Here are some nice things I made lately, some of them as commissions, some of them as experiments. Now I am making some earrings for my mother. Here is the first stage, new

This painting was a commission based on the small version of Orbiter which I've painted a year before this. Orbiter III, 2016 Acrylic on canvas, 120 x 100 cm / 47.24 x 39.37 inch, private collection /

I had absolutely nothing in my head when I started this one. I just put my pencil on the paper and started to move it slowly. Then it came to me that I could draw an eye. It is my eye. Everything else

It's been a long time since I last posted on here. For some reason I thought I din't have anything interesting enough to show you (my inner monsters and their horrible ideas again). But now I decided to

This is the last of a series of paintings I created during the Mischtechnique Seminar I did in Austria in 2014 with Professor Phil Rubinov and Mantra Cora. I learnt to use egg tempera and oil in layers.

This one didn't go as I was expecting, mainly because I used a sandpaper to get rid of the brush marks in the gesso. Sanding it made the surface more porous, which means I didn't have too many patterns

This painting also starts it´s history in the Mischtechnique seminnar I did in Austria in 2014 with Professor Phil Rubinov and Mantra Cora you can see the previous post where I go through the painting

I started this experiment after seeing one of my favourite artists (Allen Williams) explaining the way he uses graphite powder on a clayboard. I was too curious to try it, so I didn't have enough patience

WIZARD OF BOGOMIL'S ISLAND - THE FOMORII CONJURER This drawing could be seen as a transitional piece, a bridge between my Bogomil series which dates as far back as 1976 and the painting Bogomil’s Vegetable

Well, all information looks like noise until you break the code. -- Neal Stephenson, Snow Crash Zoom in Event, 2006 Acrylic/oil on canvas 120 x 100 cm / 47.24 x 39.37 in Private collection / Germany Details:

I want to show you my latest finished canvas. The idea came as a vague image of a field with a ghostly Sophilia floating above, and it developed along the way, becoming what you see in the final picture.

untitled, graphite on paper, 13x19cm I can't say anything about this one, it is part of that dark corner of my mind that can only be shared with you in this form. Take care and be creative! Hugs, Alina

Dear Steemians and Steemers, (I've done research, apparently you can use both terms :) I would like to say hello and share my artwork with you. My intoduction articel is following very soon. This article

This painting holds a very special place in my heart. It was done in 2012, a year after I began studying painting at the Art school ( I am not that young, I just started late). It was the first time I

Although I left the United States and the city of Joliet, Illinois in 1975, and went to live in France, I often returned to do art work there for our association Friends of Community Public Art. This piece,

Observation, 2009 Acrylic on fiberboard 40 x 32 cm / 15.75 x 12.6 in Details:

WAYS. 60x60cm. Oil and egg tempera on masonite. Vienna 2015. This was one of the paintings I did during the winter of 2014-15 in Vienna. I was very inspired by the thickness of growth int he forest I would

This is the other side of my story, shiny and colorful :) It is actually the first side of my creativity I explored, the one that made me quit my full time job and follow my heart. RockTime Handmade started

90x90cm acrylic on wood. 2012 Ibiza. This painting was inspired in the sounds I hear when I´m in the woods. When I´m quiet enough I can tune into the sounds that create a symphony of sounds. The beauty

This is a story about my depression. A cruel shadow living inside my mind who wakes up from time to time to remind me how worthless I am and how I'm constantly failing at every aspect of my life. Of course