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latest #chowning created topics on internet
rofilm
music
2018-11-24 06:26
Past Meets Future 95
Past Meets Future 95 Past Meets Future 95: In 1977 John Chowning composes Stria, a piece completely based on FM synthesis. See whole list at: Enjoy your day! Rolf
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rofilm
music
2018-11-05 06:33
Past Meets Future 77
Past Meets Future 77 Past Meets Future 77: In 1970 John Chowning creates credible brass-like tones by coupling a similar or even the same envelope to the amplitude as well as to the modulation index See
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rofilm
music
2018-11-02 05:46
Past Meets Future
Past Meets Future 74 Past Meets Future 74: 1968: Risset´s study of trumpet tones had a major influence on John Chowning´s own development of FM synthesis, as he once mentioned himself. See whole list at:
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rofilm
music
2018-10-30 06:54
Past Meets Future 71
Past Meets Future 71 Past Meets Future 71: John Chowning wrote: “(in the 1960s) the theoretical potential for the production of rich dynamic sounds with computers was great, the knowledge required for
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issymarie2
Spooky Zone
2026-04-23 00:46
Promoted
Iniciativa de pesadillas por @zonadeescalofrio (spockyzone) |Pesadilla de medianoche: El dolor de una madre (esp-eng)
@zonadeescalofrio llega en este mes de abril, con una iniciativa que pone los pelos de punta. Bajo el tema de Pesadillas, un relato perturbador nos grita en manera de susurro, pegado a la nuca, extendiendo
$ 3.302
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rofilm
music
2018-10-21 06:08
Past Meets Future 62
Past Meets Future 62 Past Meets Future 62: In 1967 John Chowning “stumbles” upon FM synthesis – as he himnself used to describe his first findings. Enjoy your day! Rolf
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rofilm
music
2018-10-11 04:36
Past Meets Future 52
Past Meets Future 52 Past Meets Future 52: “Max Mathews composed “The Second Law”, a piece, which is entirely made up of noise, free of common understanding of pitch, yet expressing pitch.” (John Chowning)
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rofilm
music
2018-10-04 05:29
Past Meets Future 45
Past Meets Future 45 Past Meets Future 45: “It is in the detail, required when working with computers, that we find control of the sonic, theoretical and creative forms … and reveal our artistic expression...”
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