George V. Johnson, Jr. (vocals), Pharoah Sanders (tenor sax, bells, vocals), Danny Moore (trumpet), Steve Turre (trombone), Bobby Hutcherson (vibraphone), John Hicks (piano), Art Davis (bass) and Billy

Joe Henderson (tenor sax), Lee Morgan (trumpet), Barry Harris (piano), Bob Cranshaw (bass) and Billy Higgins (drums). From the album The Sidewinder (1964). Billy Higgins was an important and controversial

Joe Henderson (tenor sax), Lee Morgan (trumpet), Barry Harris (piano), Bob Cranshaw (bass) and Billy Higgins (drums). From the album The Sidewinder (1964). Barry Harris is a jazz pianist, composer, arranger

Joe Henderson (tenor sax), Lee Morgan (trumpet), Barry Harris (piano), Bob Cranshaw (bass) and Billy Higgins (drums). From the album The Sidewinder (1964). Beginning in 1958, Morgan toured with the third

Joe Henderson (tenor sax), Lee Morgan (trumpet), Barry Harris (piano), Bob Cranshaw (bass) and Billy Higgins (drums). From the album The Sidewinder (1964). Lee Morgan was one of the most important American

Joe Henderson (tenor sax), Lee Morgan (trumpet), Barry Harris (piano), Bob Cranshaw (bass) and Billy Higgins (drums). From the album The Sidewinder (1964). This energy-filled album has been the best seller

George Coleman (tenor sax), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums). From the album Maiden Voyage (1965). Tony Williams was an American jazz drummer

George Coleman (tenor sax), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums). From the album Maiden Voyage (1965). The title of this theme is a phrase that

George Coleman (tenor sax), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums). From the album Maiden Voyage (1965). In 1960 Carter recorded his first album

George Coleman (tenor sax), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums). From the album Maiden Voyage (1965). Ron Carter is an American jazz bassist and

George Coleman (tenor sax), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums). From the album Maiden Voyage (1965). This is a post-bop-style conceptual album

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). Hard bop not only appeared in the mid-1950s as a reaction to cool jazz and West

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). In the early 1950s different styles were played, such as swing (with the big

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). We could describe the history of jazz as the flow of a river whose waters are

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). Roy Brooks was an American jazz drummer. He toured with Yusef Lateef and then

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). In Charlie Parker’s first surviving recording when he was still a teenager, he

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). Sam Jones was an American jazz bassist with impeccable technique, cellist and

Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass) and Roy Brooks (drums). From the album Blue’s Moods (1960). This album was Blue Mitchell’s debut as a solo trumpet player. One of the biggest

Hank Mobley (tenor sax), Wynton Kelly (piano), Paul Chambers (bass) and Art Blakey (drums). From the album Soul Station (1960). The very name “hard bop” indicates that the musicians of this new language

Hank Mobley (tenor sax), Wynton Kelly (piano), Paul Chambers (bass) and Art Blakey (drums). From the album Soul Station (1960). Especially important were two songs recorded by Horace Silver: “The Preacher”