Overlooking my conflicting sentiments about Rolando Villazón's overall vocal form as Idomeneo, his unique brand of charisma remains interesting. Please enjoy my review and let me know your opinions.

From his beginnings as a light lyric tenor to his current tenures in challenging leading tenor roles, Saimir Pirgu tackles Idomeneo the Cretan King torn between his regal duty and filial bond with his

David McVicar's production of Mozart's Idomeneo may eclectically combine Feudal-Era Japanese, Middle Eastern, European, and Greek aesthetics, but how do the singers fare in their roles in this production?

A Mozart opera I have been wanting to see for the longest time. How does the cast fare? Let's find out!