Joe Henderson (tenor sax), Kenny Dorham (trumpet), McCoy Tyner (piano), Butch Warren (bass) and Pete La Roca (drums). From the album Page One (1963). The social context in which the hard bop was developed

Joe Henderson (tenor sax), Kenny Dorham (trumpet), McCoy Tyner (piano), Butch Warren (bass) and Pete La Roca (drums). From the album Page One (1963). In the 1950s hard bop became the dominant style in

Joe Henderson (tenor sax), Kenny Dorham (trumpet), McCoy Tyner (piano), Butch Warren (bass) and Pete La Roca (drums). From the album Page One (1963). Pete La Roca was an American jazz drummer who took

Joe Henderson (tenor sax), Kenny Dorham (trumpet), McCoy Tyner (piano), Butch Warren (bass) and Pete La Roca (drums). From the album Page One (1963). Butch Warren was an American double bassist who played

Joe Henderson (tenor sax), Kenny Dorham (trumpet), McCoy Tyner (piano), Butch Warren (bass) and Pete La Roca (drums). From the album Page One (1963). This jazz standard is well known by musicians, but

Joe Henderson (tenor sax), Kenny Dorham (trumpet), McCoy Tyner (piano), Butch Warren (bass) and Pete La Roca (drums). From the album Page One (1963). This is the first album recorded by jazz tenor saxophonist

McCoy Tyner (piano) and John Scoffield (guitar). From the album Things Ain’t What They Used to Be (1989). John Scoffield is a modern blues and jazz guitarist and American composer. He made his first

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). In this theme, it is best to listen without preambles, without knowing

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). The theme begins with a solo by Jones on drums. Inexhaustible, he seems

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). The introduction is played by Garrison with the double bass. Suddenly

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). First a gong sounds to gather the congregation. In his introduction,

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). The drums is a percussion musical instrument composed of drums and cymbals

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). Lonnie had lost his wife in his house, a natural death. She already had a

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). Bessie is a short for Elizabeth or Beatrice, and among the prominent people

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). The wise is the one who has the capacity to acquire information from his life

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). Crescent is a studio album recorded with the usual Coltrane’s quartet, who

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Roy Haynes (drums). From the album Impressions (1963). The Impressions album is a mix of performances from 1961 to 1963. “India”

Eric Dolphy (alto sax), John Coltrane (tenor sax), McCoy Tyner (piano), Reggie Workman (bass) and Elvin Jones (drums). From the album Impressions (1963). “Impressions” has the same harmonic structure as

passion dance

John Coltrane (soprano sax), Eric Dolphy (bass clarinet), McCoy Tyner (piano), Reggie Workman (bass) and Elvin Jones (drums). From the album Impressions (1963). India is a country located in South Asia,