Sheela Rahman, American producer located in Berlin and strongly connected with The Netherlands scene through her deep passionate devotion for hardware and analogue sounds of vintage Casio keyboards, outer realms, dystopian sci-fi, twisted rhythms, exorcisms, dark rituals, odd melodies and rough alien techno. True Dutch West Coast style. Since bursting onto the scene with creepy deep nagging house 12" releases for L.I.E.S., Rush Hour, Crème Organization and obviously my favorite Pinkman, her music went through metamorphosis into more demonic and introspective, regularly haunting the darkest and dustiest basements all around the world. I will remember for a long time the day that I met the bewildering, emotionally disordered fever-dream Xosar's audio experience for the first time. It was 2nd November 2019 during Bunker Records Night @ PIP Den Haag, which blew me away so much, that her music absorbed me completely for next long weeks. Hypnotizing, unexpecting, completely bizarre, eccentric. Unfortunately I do not have any recordings from that night but believe me, this was literally next level shit. For the proper introduction, please check her majesty sounds released via Pinkman records below and in case of increasing curiosity for more interesting stuff and sounds, please check large interview with Xosar on Resident Advisor.

Norwegian big beat/acid/future jazz duo founded by Jens Petter Nilsen and Hallvard Wennersberg Hagen in 2000. I have found them completely randomly, digging through last.fm, motivated by my short fascination in acid jazz approximately two decades ago. Guys have released three long play albums and then shifted their interest into movies music production, where they stayed up to this day. Short carrier on the stage doesn't exactly mean that they went through this world without any significant success. Song presented in this article became an instant classic quickly after its releasing and was releasing many times on different ocassions and albums.